Adjusting Disney Fisheye Photos

Fisheye Lenses are fun to photograph with. For more history and technical information visit this Wikipedia page. Today, I want to talk about how to process photographs produced from a fisheye lens.

Earlier this week, I took a Nikon D750 digital full-frame camera and Sigma 15mm Fisheye lens to Disney’s Hollywood Studios. Started out the day riding Slinky Dog Dash in Toy Story Land.

Slinky Dog Dash Fisheye 1A
Riding Slinky Dog Dash in Toy Story Land at Disney’s Hollywood Studios in Walt Disney World, Orlando, Florida. Nikon D750/Sigma 15mm Fisheye, 1/500s, f/4, ISO 100, EV 0.

This shows the fun aspect of the Fisheye. The horizon is extremely curved in a hemispherical aspect which gets emphasized the closer subjects are to the edges.

In Adobe’s Lightroom Classic, there are tools in the Development module under the Lens Corrections tab which can enable a lens’ profile correction. After Lightroom Classic reads the image’s metadata, it will apply the correct profile to it. This process “normalizes” the image like this…

Slinky Dog Dash Fisheye 1B
Riding Slinky Dog Dash in Toy Story Land at Disney’s Hollywood Studios in Walt Disney World, Orlando, Florida. Photo was taken with a fisheye lens and corrected in Lightroom Classic. Nikon D750/Sigma 15mm Fisheye, 1/500s, f/3.5, ISO 100, EV 0.

The horizon is straightened out but at a cost. The image is cropped and subjects close to any of the photo’s edges gets stretched. Sometimes it gets too distorted. In the case of the photo above, I do not think it came out too bad.

The next subject looks great as a fisheye and since the Mickey Shorts Theatre is new, the colors really popped!

Mickey Shorts Theatre Fisheye 2A
Inside Mickey Shorts Theatre at Disney’s Hollywood Studios in Walt Disney World, Orlando, Florida. Nikon D750/Sigma 15mm Fisheye, 1/20s, f/2.8, ISO 6400, EV 0.

Still, I wanted to see what magic the lens corrections tool would do.

Mickey Shorts Theatre Fisheye 2B
Inside Mickey Shorts Theatre at Disney’s Hollywood Studios in Walt Disney World, Orlando, Florida. Taken with a fisheye lens and corrected in Lightroom Classic. Nikon D750/Sigma 15mm Fisheye, 1/20s, f/2.8, ISO 6400, EV 0.

I liked it but not as much as the original. In this version of the same photo, you can really see how the correction stretches the subjects (movie screen and people seating in the last row) near the edges and leave those in the center looking normal.

In this next photo of the Lounge in ’50s Prime Time Café, the fisheye effect is a bit much for me.

50s Prime Time Cafe Fisheye 3A
’50s Prime Time Café lounge on Echo Lake at Disney’s Hollywood Studios in Walt Disney World, Orlando, Florida. Nikon D750/Sigma 15mm Fisheye, 1/125s, f/2.8, ISO 1600, EV 0.

In this case, the lens profile did not completely straightened the curved walls and ceiling. I then opened the Transform tool and clicked the Auto button. Bang, everything popped into place.

50s Prime Time Cafe Fisheye 3B
’50s Prime Time Café lounge on Echo Lake at Disney’s Hollywood Studios in Walt Disney World, Orlando, Florida. Taken with a fisheye lens and corrected in Lightroom Classic. Nikon D750/Sigma 15mm Fisheye, 1/125s, f/2.8, ISO 1600, EV 0.

Most fully enabled photo editing apps have similar ways to correct a lens’ aspect. If you find, you do not like it, you can remove it. That is the huge advantage to today’s digital darkroom.

For more about Fisheye lenses, click this link: Return of the Fisheye Lens to Epcot.

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Scott's "Photographic Innoventions" blog focuses on intermediate to advanced photography concepts and techniques relevant for Point and Shoot and Digital SLR cameras.

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